Artist Videos

Would You Like To Hear How It Sounds?  Please Meet & Greet:

 

So what would you do with your Rosewood Topped, Hollow T Classic - Shorty?

This is what Andy Sorenson did.

You will enjoy his band

Hollow T Classic - Shorty:

  • Color: Natural
  • Body: Rosewood Top on Alder Back
  • Neck: Chocolate Maple
  • Pickups: TV1, TV3

 

Yes it is time you should get to know Jason Frankhouser - he works with Bob Dylan - you remember him, right!?

Here Jason demos “monster” rhythm tones on an Anderson:

Drop Top 7

  • Color: Trans Black
  • Body: Maple Top on Swamp Ash Back
  • Neck: Maple with Rosewood Fingerboard
  • Pickups: H1, H3

 

An amazing jazz player and teacher, Steve Watson of Watson Wood Music demonstrates that perfect jazz tones can flow freely and easily from a Bulldog—equipped with PQ–series pickups.  Note the desirable clarity from PQs—never before achieved from hum-canceling Soapbars.

Bulldog:

  • Color: Dark Honey Burst
  • Body: Flame Maple Top on Mahogany
  • Neck: Mahogany with Rosewood Fingerboard
  • Pickups: PQ1 PQ2

Bulldog complemented by:

  • Dr. Z Maz 18 NR & Fender Deluxe Reverb Paul Rivera Stage 3 Mod
  • Fulltone Fulldrive 2, Line 6 M13

And speaking of Keep Yourself Alive, Tristan has kept himself alive (with your votes) and advanced to the next round. 

Now performing "Keep Yourself Alive." 

Very cool, check it out and then vote. 

Queen Extravaganza.

Read one box below if you are not sure what we are talking about—fun stuff.

Remember when you asked, “Is there anyone who can play the Killer Queen solo with exquisite touch and finesse?”

Such a great player, meet Tristan Avakian.  This video is part of the auditions for Queen Extravaganza—and you can vote online at Queen Extravaganza.

The Classic:

  • Color: Inca Silver
  • Body: Alder
  • Neck: Maple with Rosewood Fingerboard
  • Pickups: VA12 VA12R VA 23

The Classic complemented by:

  • Pro Tools with Native Instruments Guitar Rig 3 software

Pathik Desai plays with Javier Colon—very good.  Check out the Artist Video page for that. 

Here he is offering us a lesson from the MI studios aboard his:

T-Classic:

  • Color:Trans Butterscotch
  • Body: Swamp Ash
  • Neck: Maple
  • Pickups: TV1 TV3


The connection is more than a mere guitar cable between Anderson Guitarworks and Mesa/Boogie.

Here, the one-and-only Doug West of Mesa reveals some of the secrets of their testing and toning.

The Classic:

  • Color: Honey Burst
  • Body: Swamp Ash
  • Neck: Maple
  • Pickups: ST2 ST1 H3

The Classic:

  • Color: Lake Placid Blue
  • Body: Alder
  • Neck: Maple
  • Pickups: VA1- VA1R- VA1


Renaud Louis-Servais jams aboard his:

Drop Top

  • Color: Bora to Trans Blue Burst
  • Body: Quilted Maple on Alder
  • Neck: Maple
  • Pickups: H1 SF1 H3

Drop Top complemented by:

  • Mesa/ Boogie Formula Preamp
  • Mesa/Boogie Two-Ninety Power Amp
  • Two Marshall 4x12 Cabs
  • Xotic BB Preamp and Fulltone OCD TC Electronics G-Force delay.

 

Renaud Louis-Servais lets the H3 humbucker in his Drop Top do the talking—and the magic in his hands, of course.

Drop Top

  • Color: Bora to Trans Blue Burst
  • Body: Quilted Maple on Alder
  • Neck: Maple
  • Pickups: H1 SF1 H3

Drop Top complemented by:

  • Mesa/ Boogie Formula Preamp
  • Mesa/Boogie Two-Ninety Power Amp
  • Two Marshall 4x12 Cabs
  • Blackstar HT Dual




Mike Campese: Jams at NAMM

Ever wonder what a neck–position SF1 pickup would sound like on stage wound up through the gain stage of a big amp?  Mike shows us all once and for all.

Life is paradise and we can say, “yes,” to it.  Once again, Mike Campese says, “yes,” with his Anderson Guitar on the beach in Hawaii. A lot of Anderson fun here.. 

Mike Campese is a highly sought-after teacher, and for very good reason.  Flying over the fingerboard of:

The Classic

  • Color: Bora Bora Blue
  • Body: Swamp Ash
  • Neck: Maple
  • Pickups: SF1 SF1 HN3+

Showing the clarity and open power a Swamp Ash, S–style guitar can bring when pumped through multiple gain stages.





Lars Haavard Haugen, “I've been playing it on every gig ever since i got it in 1999.”

Hollow T Classic:

  • Color: 3 Color Burst
  • Body: Alder Top on Alder Back
  • Neck: Maple
  • Pickups: TV1 TV3

Hollow T Classic complemented by:

  • 65 Amps: Royal Albert and Tupelo

Lars Haavard Haugen live, happy and proving it on his:

Hollow T Classic

Hollow T Classic complemented by:

  • Keeley Compressor
  • Voodoo Lab Sparkle Drive
  • Klon Centaur
  • Eventide ModFactor & TimeFactor.

 





So question: Why would Glenn Pearce bring a live Cobra on stage to play with Michael W. Smith?

Have you heard a Cobra?  Well, okay then.

Cobra

  • Color: Trans Black
  • Body: Quilted Maple on Mahogany
  • Neck: Mahogany with Rosewood Fingerboard
  • Pickups: HO1- HO1+

Cobra complemented by:

  • Divided by 13 FRT 37

 





What would you say about Andy Wood if you could?  “Great guy , for sure.”

Well certainly, Andy knows good wood as he rips it up on a Basswood-backed Drop Top via an H3 bridge pickup.

Drop Top

  • Color: Burnished Orange Burst
  • Body: Flame Maple Top on Basswood Back
  • Neck: Maple with Rosewood Fingerboard
  • Pickups: H1 SA1 H3

Drop Top complemented by:

Diezel Hebert

Andy Wood would like to show us the sound of a TV3 pickup and we are pleased to watch and enjoy.  Thanks Andy. 

The TV3 is loaded into:

Hollow Drop "T"

  • Color: Trans Black Burst
  • Body: Maple Top on Swamp Ash Back
  • Neck: Maple with Rosewood Fingerboard
  • Pickups: VA VA TV3

Hollow Drop “T” complemented with:

Asher Brown amp

…and just for clarity's sake…

Let us now compare the clarity of a TV2 pickup to the TV3 in the above clip.  Notice both pickups speak with a percussive bloom on the initial attack that allows the highs to be present and soft at the same time. Sweet, sweet, sweet!

Would you please take it away Andy Wood!?

Hollow Drop "T"

  • Color: Trans Black Burst
  • Body: Maple Top on Swamp Ash Back
  • Neck: Maple with Rosewood Fingerboard
  • Pickups: VA VA TV2