Would You Like To Hear How It Sounds? Please Meet & Greet:
So what would you do with your Rosewood Topped, Hollow T Classic - Shorty? This is what Andy Sorenson did. You will enjoy his band Hollow T Classic - Shorty:
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Yes it is time you should get to know Jason Frankhouser - he works with Bob Dylan - you remember him, right!? Here Jason demos “monster” rhythm tones on an Anderson: Drop Top 7
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An amazing jazz player and teacher, Steve Watson of Watson Wood Music demonstrates that perfect jazz tones can flow freely and easily from a Bulldog—equipped with PQ–series pickups. Note the desirable clarity from PQs—never before achieved from hum-canceling Soapbars. Bulldog:
Bulldog complemented by:
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And speaking of Keep Yourself Alive, Tristan has kept himself alive (with your votes) and advanced to the next round. Now performing "Keep Yourself Alive." Very cool, check it out and then vote. Read one box below if you are not sure what we are talking about—fun stuff. |
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Remember when you asked, “Is there anyone who can play the Killer Queen solo with exquisite touch and finesse?” Such a great player, meet Tristan Avakian. This video is part of the auditions for Queen Extravaganza—and you can vote online at Queen Extravaganza. The Classic:
The Classic complemented by:
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Pathik Desai plays with Javier Colon—very good. Check out the Artist Video page for that. Here he is offering us a lesson from the MI studios aboard his: T-Classic:
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The connection is more than a mere guitar cable between Anderson Guitarworks and Mesa/Boogie. Here, the one-and-only Doug West of Mesa reveals some of the secrets of their testing and toning. The Classic:
The Classic:
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Renaud Louis-Servais jams aboard his: Drop Top:
Drop Top complemented by:
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Renaud Louis-Servais lets the H3 humbucker in his Drop Top do the talking—and the magic in his hands, of course. Drop Top:
Drop Top complemented by:
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Mike Campese: Jams at NAMM Ever wonder what a neck–position SF1 pickup would sound like on stage wound up through the gain stage of a big amp? Mike shows us all once and for all. |
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| Life is paradise and we can say, “yes,” to it. Once again, Mike Campese says, “yes,” with his Anderson Guitar on the beach in Hawaii. A lot of Anderson fun here.. | |
Mike Campese is a highly sought-after teacher, and for very good reason. Flying over the fingerboard of: The Classic:
Showing the clarity and open power a Swamp Ash, S–style guitar can bring when pumped through multiple gain stages. |
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Lars Haavard Haugen, “I've been playing it on every gig ever since i got it in 1999.” Hollow T Classic:
Hollow T Classic complemented by:
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Lars Haavard Haugen live, happy and proving it on his: Hollow T Classic Hollow T Classic complemented by:
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So question: Why would Glenn Pearce bring a live Cobra on stage to play with Michael W. Smith? Have you heard a Cobra? Well, okay then. Cobra:
Cobra complemented by:
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What would you say about Andy Wood if you could? “Great guy , for sure.” Well certainly, Andy knows good wood as he rips it up on a Basswood-backed Drop Top via an H3 bridge pickup. Drop Top:
Drop Top complemented by: Diezel Hebert |
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Andy Wood would like to show us the sound of a TV3 pickup and we are pleased to watch and enjoy. Thanks Andy. The TV3 is loaded into: Hollow Drop "T":
Hollow Drop “T” complemented with: Asher Brown amp |
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…and just for clarity's sake… Let us now compare the clarity of a TV2 pickup to the TV3 in the above clip. Notice both pickups speak with a percussive bloom on the initial attack that allows the highs to be present and soft at the same time. Sweet, sweet, sweet! Would you please take it away Andy Wood!? Hollow Drop "T":
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